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Leonard Kateete

Leonard Kateete was born in Uganda, 1951, and his interest in art began as he admired the statues of Mary and Jesus in the churches that he attended as a boy...

The early years

Leonard Kateete was born in Uganda, 1951, and his interest in art began as he admired the statues of Mary and Jesus in the churches that he attended as a boy.

His interest in art began during a stay at his grandmother’s house in 1958. There, he observed the head of the household, Gligori, curve beds in his occupation as a traditional carpenter. Kateete admired the process and was much better at imitating Gligori’s actions than his brother. He went on to make a bed when he returned home, and it was used for years to come.

The schools that he attended were settings for artistic discovery. His Catholic school was a distribution centre for Christian sculptures and when the storage door was unlocked, Kateete would go admire the works.

In Grade 4, he moved to a school where he met several teachers-in-training. They observed Kateete’s drawings and they would ask him to draw for them to help them teach. One of them also told Kateete that he would be a professional artist, the idea stuck with him.

Only in high school did he receive a formal education in art. In Form 2 he entered an art competition for students across African schools and colleges. The theme that year was showing kindness to human beings and animals. Kateete won first prize. In his mind, that gold medal sealed his future as an artist.

The grades he received in high school qualified him for Makerere University, but he did not receive automatic admission. This led him to accept an offer of a room and payment of 20 shillings a day from a Father Kevin MeKee, he remained at the chapel for three months and spent the time experimenting with making banana fibre mosaics.

One mosaic that he created was of the President of Uganda, Idi Amin, The Ministry of Culture offered 100 Ugandan Shillings for it. Several days later, Kateete found another image of the president, created another mosaic from banana leaf fibres, and present the completed work to the president as a gift. These actions made his talents visible to the UNESCO office in Uganda and he received a letter indicating that he qualified for admission to the Fine Arts department at Makerere University.

Kateete also quickly learned about the personal risks that artists take when creating political works. He and three other students were commissioned to create a large portrait of Idi Amin. Kateete was also asked to create the only sculpture of the despot that was made during his rule. This garnered attention for Kateete on television and in the newspapers. In the wake of the Liberation War (1978-79), acquaintances and jealous neighbours labelled him as a government agent and sympathiser of Amin. Soldiers were brought to his home as a scare tactic and when he would meet his classmates, several would treat him unkindly. He and his family ultimately fled to Kenya in 1980 in fear for their lives.

Ever since the twenty-one-year-old Kateete presented a mosaic to the then sitting President of Uganda, he has made a name for himself as an East African artist.